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Domenico Ghirlandaio
Visitation 8
1491
Musee du Louvre, Paris
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Domenico Ghirlandaio
Christ in Heaven with Four Saints and a Donor
Civic Picture Gallery and Museum, Volterra
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Domenico Ghirlandaio
Portrait of Giovanni Tornabuoni
1488
Thyssen-Bornemisza Collection, Lugano
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Domenico Ghirlandaio
Adoration of the Magi qq
1488
Spedale degli Innocenti, Florence
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Domenico Ghirlandaio
The Adoration of the Magi aa
1487
Galleria degli Uffizi, Florence
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Domenico Ghirlandaio
Madonna Enthroned with the Saints q
1484
Galleria degli Uffizi, Florence
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Domenico Ghirlandaio
Nativity 1
1485
Santa Trinita, Florence
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Domenico Ghirlandaio
Slaughter of the Innocents qqq
1485
Church of Santa Maria Novella, Florence
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Domenico Ghirlandaio
Obsequies of St.Francis
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Domenico Ghirlandaio
Saint Jerome in his Study dd
1480
Church of Ognissanti, Florence
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Domenico Ghirlandaio
An Old Man and his Grandson
1480
Musee du Louvre, Paris
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Domenico Ghirlandaio
Announcement of Death to Saint Fina
1475
Collegiate Church, San Gimignano
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Domenico Ghirlandaio
The Visitation (mk05)
Wood 67 1/2 x 65''(117 x 165 cm)Entered the Louvre in 1812
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Domenico Ghirlandaio
Portrait of an Old Man with a Young Boy (mk05)
Wood 25 x 18''(63 x 46 cm)Entered the Louvre in 1886
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Domenico Ghirlandaio
The Virgin and Child (mk05)
Wood 31 x 22''(79 x 56 cm)Entered the Louvre in 1899
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Domenico Ghirlandaio
Last Supper (mk08)
1480
Fresco,total width812cm
Florence,Convent of San Marco,Refectory
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Domenico Ghirlandaio
Old Man and Young Boy (mk08)
1488
Tempera on wood.
62x46cm
Paris,Musee National du Louvre
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Domenico Ghirlandaio
Portrait of Giovanna Tornabuoni (nn03)
1488Tempera on panel 77 x 49 cm 30 1/4 x 19 1/4 in Fundacion Coleccion Thyssen-Bornemisza Madrid
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Domenico Ghirlandaio
Detail from Saint Francis Restoring a Child to Life
mk52
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Domenico Ghirlandaio
Saint Francis Restoring a Child to Life
mk52
c.1458
Fresco
S.Triita,Florence
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| Domenico Ghirlandaio
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Italian
1449-1494
Domenico Ghirlandaio Galleries
Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation
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